Monday, 28 January 2013
Monday, 21 January 2013
Monday, 14 January 2013
Soft & Telling Lies (Simon Ellis)
Soft is a short British drama film, which was made in 2007 written and directed by Simon Ellis. The film is about bullying and peer pressure. The first sequence shows flickering mobile phone video footage of a teenage boy getting brutally beaten up. An inspired opening. A later sequence, now on the same low pixilated mobile phone type footage, shows the same teenage gang with a showing off type leader, bullying and scaring adults outside a newsagent.
Cut to an overhead of a quiet road. A man, the boy’s father, is coming home from work. The man comes home and is shocked to see his teenage son is bruised and bloody it is the same boy from the video. Then the gang turns up outside their house, sitting on the man's car, taunting them both, and the son is horrified to discover that his father who always told him to stand up for himself is scared.
Soft is relevant in a society when we hear about teenage violence and stabbings all the time. And it is brilliant because grownups sometimes forget how scared they often were as children of bullies or anything else. A child's second worst nightmare might be to be bullied but his or her greater nightmare would be for the parents to find out about it. A parent's greatest nightmare, greater than this, would be to be bullied and for his child to find out and to be scared in front of his child, because it’s embarassing.
The film was shot over 5 days for the sum of £50,000, the short film is the product of a sponsorship by the UK Film Council and Film4.
Based on the film reception and feedback, Simon Ellis short film was a great success. Soft won 38 festival prizes including the International Jury Prize at the Sundance Film Festival, Best Short Film at the British Independent Film Awards, and both BAFTA and European Film Awards nominations. In 2012 he also won at the International Film Festival for Best Of British Awards.
Now ‘Telling Lies’ is about a man going through several phone
calls the night after he has spilt up with his girlfriend and had a one night
stand with someone.
This clip was about phone conversation between the character ‘Philip’ and his friends and family, we do not see any images but words. Each person was represented by a different colour and the words was shown at different pace to reveal the persons attitude and personality, the size of the words also helped show the tone of the characters speech. Apart from imitating the speech in words the director also included the thoughts of the character which was shown in white text. This Idea reveals the fact that people often say one thing and mean another. This idea is amusing because usually one ‘s thoughts are the opposite of what they are really saying.
This clip was about phone conversation between the character ‘Philip’ and his friends and family, we do not see any images but words. Each person was represented by a different colour and the words was shown at different pace to reveal the persons attitude and personality, the size of the words also helped show the tone of the characters speech. Apart from imitating the speech in words the director also included the thoughts of the character which was shown in white text. This Idea reveals the fact that people often say one thing and mean another. This idea is amusing because usually one ‘s thoughts are the opposite of what they are really saying.
Simon Ellis thought of
this idea while sitting in a screening of a poorly subtitled Spanish film. He
said that “ Simple spelling mistakes made serious scenes amusing.” he completed
the whole idea of characters and colours just as the screening ended. He wrote
the script the same evening he planned the idea. He used the Idea for 2
different commissions and was rejected by both followed by harsh comments but
he made it anyways and it was one of the most successful short films he has
made. He proudly says that the moral of this story is “if the funders say no,
make it anyway.”
What I like about this
work was that It was interested how just small details such as timing of the
text and the colours can reflect a characters personality, I thought although
this piece was a simple idea it is affective and it memorable, I was watching a
few clips during the screening but I clearly remembered this one, because was
unique.
The effect of just having words i think is in some cases just as effective as having images because its almost as if the artist who made this piece has someone to hide by using words and it keeps the audience watching and thinking something is going to happen.
There are many similar factors about both short films but the main is relationships. Along with that, they are both dramas, so both of the short films make you feel some kind of emotion throughout or after. Sympathy was caused by both film, you can’t help but feel sorry for father that couldn't handle the confrontation, so he couldn't help his son like every father would do if there was ever a problem and then there's the man who found out that his girlfriend and best friend had slept with each other.The main difference between the two films is that one of them only contains text throughout it all, which is different not just from 'soft' but from other typical films too.
Aswell as doing films Simon Ellis also does music videos and television and much more. Having just won the international competition at Toronto's Worldwide Film Festival with his Cinema Extreme short film Soft, Simon Ellis recently attended Hamburg Short Film Festival with the same film, and two others.
Black Hawk Down Review
Black Hawk Down is an
American war movie, which was made in 2001 and directed by Ridley Scott, which
then went to direct ‘American Gangster’, which made £44 million in its opening
week. He's worth £60m, he's
made four of the biggest box office hits of all time Alien, Thelma &
Louise, Gladiator and Hannibal and a masterpiece of modern cinema. And to think
it all his career started with an ad for Hovis. Black Hawk Down was originally a book that was written by Mark Bowden
but was screenplay Ken Nolan. The movie was base to tell the story famine and
civil war in Somalia in 1993 and found themselves in the longest land battle involving
US troops since the Vietnam war.
But the movie was focus on the events of the Battle of Mogadishu, a raid of the
United States effort to capture Somali warhead Mohamed Farrad Aidid.
The mission went terribly wrong, and two helicopters the
Black Hawks of the title were shot down behind enemy lines. The surviving
soldiers found themselves embroiled in a terrifying
firefight, facing hordes of angry, armed villagers with only limited ammunition
at their disposal. Meanwhile, US high command launched a daring rescue
operation to bring their soldiers home.
The
film won two Oscars for Best Film Editing and Best Sound at the 74th Academy Awards.
The film was received positively by American film critics, but was strongly
criticized by Pakistan of not
crediting the work done by the Pakistani soldiers. When
U.S. troops were trapped in the thickly populated Madina Bazaar area of
Mogadishu, it was the Seventh Frontier Force Regiment of the Pakistan Army that
reached out and extricated them. The bravery of the U.S. troops
notwithstanding, we deserved equal, if not more, credit but the filmmakers
depicted the incident as involving only Americans. The problem is
that its subject American soldiers fighting Somali Muslims is too close to the
current world situation.
Black Hawk Down doesn't so much lose sight of the political factors behind the action, as never actually notice them until after the event making it less a film about the American experience in Somalia than a patriotic airbrushing of what was actually America's worst day of combat since Vietnam.
Black Hawk Down doesn't so much lose sight of the political factors behind the action, as never actually notice them until after the event making it less a film about the American experience in Somalia than a patriotic airbrushing of what was actually America's worst day of combat since Vietnam.
Overall Black Hawk Down is an unforgettable movies about war and at its
costs. It looks fantastic, not least because it
boasts helicopter scenes to rival those other big blockbuster movies at the
time. While films like Saving Private Ryan show war at its worst,
they do not portray war in the modern era . I cannot imagine a better
representation of a war movie, than Black Hawk
Down. The cast was really good, but most of the focus was on the action and very few
lines included which allow the actors to individualise their characters, the
soldiers tend to blur as much as the fighting.
Fish Tank Review. (Andrea Arnold)
Fish Tank is a British drama film, which was made in 2009 written and directed by Andrea Arnold, who directed the movie ‘Red Road’ previously, which The Observer said was one of the best British film in the last 25 years. ‘Red Road’ also won several awards including the jury prize at Cannes, and she made it two for two when Fish Tank walked away with the same award in 2009. The film also won a BAFTA for best British film in 2010 among others. The cast included Kierston Wareing, Harry Treadaway, Michael Fassbender who star in the movie ‘Shame’ in 2011 which gave him a nomination for a Golden Globe for best actor. The main character was Katie Jarvis who plays Mia, had no prior acting experience. She was cast for the film after one of Arnold's casting assistants saw her arguing with her boyfriend in Tilbury Town railway station, which is the station featured in the film.
Andrea Arnolds second feature is a social drama from one of Britain's less appealing suburbs that tells the story about 15 year old Mia, who live with her mother and little sister Tyler, which she argues more than talks to. Mia doesn’t have a father and only being raise by her equally lost and confusing mother. Mia is a school dropout and very lonely with no job, no friends, no stability it is no wonder that Mia is seeking a way out. She thinks dancing might be it but without any encouragement she is left to her own to make that dream come true. But the day her mother introduces her daughters for her new boyfriend Connor life opens new doors for Mia. Things start to change between Mia and Connor when he moves into the flat.
Fish Tank
is not the first film to depict the uneasy love triangle that
can happen form when a parent bringing home a new partner. Yet Andrea Arnold
does not go to a formula or stereotype of either a secret assault against
someone’s will or duplicity committed on the part of a teenager or young adult.
Rather Fish Tank remains an unspoken story about what happens when a girl doesn't have a father figure to point her in the right direction and changing into a young woman and seeking for love and a father
figure. Mia is already dealing with an out of control neglectful parent so the
instant Connor displays patience, encouragement, and most of all care. Mia’s so love starved that she would fall for anyone who would
show her attention. There is both a mixture of impending danger and sweetness.
Andrea
Arnold shows her talent for social realistic storytelling. For someone who started on a kid tv show in the 1980s as a roller skater has come a long way, winning an Oscar for her short film 'Wasp' in 2005. In Fish Tank she consistently use hand
held camera movements and focus on the main character Arnold creates
an accomplished character study that feels like it takes place in real time.
The most obvious change from Arnold’s film style in "Red Road" is the
use of colour. Otherwise the dialog, the long takes, the variations in pace, the
frequent use of close ups, the authentic styles, the versatile perspectives and
Andrea Arnolds love for state blocks are still present.
Katie Jarvis gives everything she's got in the role for her first movie as Mia and she goes the distance
and creates a multifaceted character portrayal that's full of attitude.
"Fish Tank" is a gritty depiction of society that explores strong
topics, but in-between all this gravity Arnold turns the camera towards natures
gracefulness and gives the viewer a little breathing space from the
concentrated realism that makes the few rays of hope.
Wednesday, 9 January 2013
Curriculum Vitae
Ashfaq Narod
Address: 28, Dawpool
Road, Neasden, London, NW2 7LB
Nationality: French
Citizen
Language: English &
French
D.O.B: 18th
November 1993
Tel: 02088305801 –
Mobile: 07983922020
Email: ashfaqnarod@hotmail.co.uk
Personal statement:
I believe myself to be trusted and motivated. I’m a hard worker and
always punctual, I can work well with peoples and can work on my own.
Summary
of Qualifications
GCSE
Maths: C
GCSE English: C
GCSE French: A*
GCSE Graphics: B
Level 1 Media Diploma:
MERIT
Level 2 Media Diploma: MERIT
Interests
I like reading,
watching the news, playing football, watching Discovery channel and I enjoy
listening to music. I also like to
socialize with my friends and meet new people from various countries.
EDUCATION
I’m currently in my second year at City Of
Westminster College. I’m studying a Media Course. I’m predicted to get good
result in my course because I want to become a director or a cameraman in the
media industry. I’m also working on my portfolio.
· 2005-2010:
Norlington School for Boys, Leyton
· 2010-2011:
Epping Forest College , Debden
· 2011-Present:
City Of Westminster
College, London
Professional
experience
June
2009- October 2009 Pizza Hut
Walthamstow London
Responsibilities
·
Assemble
ingredients to prepare foods according to standard recipes; measure, weigh,
portion and label according to established guideline
·
Prepare
food items according to instructions and recognized safe food handling
practice.
·
Assist in
the care and maintenance of work areas and alert supervisors to problems and
needs as they arise.
·
Taking
orders from customers.
June
2010 ADAFINA FOOD
London
· Preparing
the Sandwiches and Salads
· Platters
of Sandwiches, Wraps and Bagels
· Packing
of different foods
OTHER SKILLS
·
Excellent aural skills
·
Good communication skills
·
Ability to make decisions under pressure
·
Ability to give and accept direction
·
Precise attention to detail
REFERENCES
References are available upon request
Covering Letter
28, Dawpool Road
Neasden
London
NW2 7LB
Telephone: 07889598861
Email: ashfaqnarod@hotmail.co.uk
Neasden
London
NW2 7LB
Telephone: 07889598861
Email: ashfaqnarod@hotmail.co.uk
ITV Commercial
200 Gray's Inn Road
London
WC1X 8HF
200 Gray's Inn Road
London
WC1X 8HF
Email:
workexperience@itv.com
Reference: 6035
Dear Michael BowenI would like to apply for any work experience for any of your TV programs by the ITV productions. I enclose my CV for your consideration.
I first became interested in TV productions during my last year of school, when I attended a trip and a presentation at ITV Television Centre. Director appeals to my long standing interests in the media industry, and I feel is a function that would allow me to see projects through from start to finish, working relatively autonomously.
I am particularly attracted to working at ITV because of its excellent reputation, focus on client value, and the opportunity to train with the best peoples in the television industry, which will help me develop my skills and career. When I went on the tour and the presentation I was impressed by the friendliness of employees and very positive descriptions of working life.
I’m currently studying a BTEC Diploma in Creative Media Production at City of Westminster College in London and believe I would be an enthusiastic and reliable runner. I am willing to come at short notice and to work varied hours towards your deadlines. I feel I am now ready to take up the challenge of employment.
Thank you for your time and consideration. I am available for interview from 10th December onwards, and look forward to taking the opportunity to talk with you further about my application.
Yours sincerely,
Ashfaq Narod
British Broadcasting Corporation.
BBC
1. Describe the history of the BBC- when it
was founded and how it started?
The BBC is the
largest broadcasting organisation in the world. Its mission is to enrich
people's lives with programmes that inform, educate and entertain and is a 'public corporation ‘neither a
private corporation nor a government department. The high ideal is that it is
held in trust for the public of the UK by the BBC Trust and it is owned by the UK taxpayers. The government
funds the BBC by charging all UK television viewers a license fee. Mark
Thompson is currently the director general and other key people are George Entwistle director
of BBC Vision, Tim Davie director of BBC Audio & Music, Ralph Rivera director of
Future Media, Zarin Patel chief financial officer, Caroline Thomson Chief
Operating Officer and Helen Boaden director of News.
2. Explain how the BBC is funded and operates?
BBC income can be broken down as follows:
· £3.4 billion in licence fees collected from
householders.
·
£888.3 million from BBC Commercial Businesses.
·
£293 million from government grants.
·
£112.9 million from other income, such as
providing content to overseas broadcasters and concert ticket sales.
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